Oleanna – A Powerplay

The student Carol seeks support from her professor John. She doesn’t understand his book — and he cannot relate to her problems. Nevertheless, he offers to help her because he finds her likable. The power dynamics seem clear: on one side, the successful man, about to be appointed full professor and in the process of buying a new house; on the other, the shy but diligent student who struggles with the language of academia.

The conversation starts off distantly but gradually becomes more intense. They discuss the nature of understanding and judgment in society — as well as their own self-images and their place within it. It appears as if they have found a connection. Yet this appearance is deceiving: Carol has reported John to the appointment committee because of his behavior. The clarifying conversation turns into a verbal duel, where every word is dissected and every gesture interpreted.

David Mamet’s play, premiered in 1992, has lost none of its urgency. On the contrary: at a time when power relations in educational institutions, issues of cancel culture, and the role of language are being debated, Oleanna is more relevant than ever.

Written and performed by Wendy Michelle Güntensperger (acting), Tim Kramer (acting), and Melanie Oşan (direction and dramaturgy). In collaboration with Theater Liechtenstein.